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Episode 38 - Nathaniel Dye: Public Service Announcement
How We Hear Steve Pretty How We Hear Steve Pretty

Episode 38 - Nathaniel Dye: Public Service Announcement

A tribute to Nathaniel Dye (Nat) — musician, music teacher, brass band obsessive, and the creator of the brilliantly blunt song “Public Service Announcement”, performed live at Wilton’s Music Hall. We replay our earlier conversation about what music became for him after diagnosis: not escape, but purpose — teaching, making, playing, and using the time properly.

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Episode 37 - A Clap, a Slap and a Stomp
Entertaining Noises, How We Hear Steve Pretty Entertaining Noises, How We Hear Steve Pretty

Episode 37 - A Clap, a Slap and a Stomp

What actually is musical time?

This episode kicks off 2026 with the first four days of my “12 Days of Listenmas” mini-series — pulse vs rhythm, groove, micro-timing, and why our brains can’t resist locking onto a beat.

Then we jump back to Wilton’s Music Hall (January 2025) for a live guest spot from Brazilian percussionist and former STOMP cast member Aluá Nascimento — trumpet + pandeiro on “Brazil”, body percussion (clap / slap / stomp), and a quick tour through the sounds (and stories) of berimbau and caxixi.

A practical listen, a bit of audience participation, and a reminder that rhythm is basically everywhere.

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Episode 36 - Five Notes, Maisy Mouse and a Sacred Flute
Music Theory, Entertaining Noises Steve Pretty Music Theory, Entertaining Noises Steve Pretty

Episode 36 - Five Notes, Maisy Mouse and a Sacred Flute

Steve Pretty takes a deep dive into the pentatonic scale — the five-note sound behind playground chimes, folk traditions around the world, and the theme tune for My Friend Maisy. Featuring an Entertaining Noises detour into the Colombian gaita with Mestizo Collective, plus a playful experiment repitching a kids’ TV theme into an Ethiopian-flavoured pentatonic.

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Episode 35 — Mulatu Astatke, Pentatonic Worlds and Ethio Jazz
Genre Tombola Steve Pretty Genre Tombola Steve Pretty

Episode 35 — Mulatu Astatke, Pentatonic Worlds and Ethio Jazz

Mulatu Astatke — the father of Ethio jazz — joins me in a long-lost interview recorded during Hackney Colliery Band’s Collaborations Vol. 1 sessions. We dig into pentatonic worlds, the Derashe tribe, unusual scales, and how Ethiopian traditions shaped global music.

There’s also a trip through the physics of sound, a live Barbican recording of “Derashe”, and reflections on Mulatu’s incredible collaborations from Duke Ellington to Talib Kweli. A deep, warm, gently mind-bending episode.

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