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Episode 40 - Voice, Power and the Big Machine: Opera Special
Bass Barnaby Rea joins Steve backstage at the Royal Opera House to explore the unamplified operatic voice, La Scala, class, access and the enormous machinery behind opera.
Episode 37 - A Clap, a Slap and a Stomp
What actually is musical time?
This episode kicks off 2026 with the first four days of my “12 Days of Listenmas” mini-series — pulse vs rhythm, groove, micro-timing, and why our brains can’t resist locking onto a beat.
Then we jump back to Wilton’s Music Hall (January 2025) for a live guest spot from Brazilian percussionist and former STOMP cast member Aluá Nascimento — trumpet + pandeiro on “Brazil”, body percussion (clap / slap / stomp), and a quick tour through the sounds (and stories) of berimbau and caxixi.
A practical listen, a bit of audience participation, and a reminder that rhythm is basically everywhere.
Episode 21 — Oud, microtones and underwater soundscapes
Live at Wilton’s with Hackney Colliery Band and harpist Valeria Clarke, plus a deep-dive with Syrian musician Nawar Alnaddaf into the oud, the ney and the emotional power of microtones — with a sea-soaked soundscape in between.
Episode 18 — Serpents, shanties and shells
Serpents in Jeff Miller’s brass cave, sea shanties on the Suffolk coast and shells at sunrise — a walk through how old instruments keep reshaping how we hear.
Episode 16 — Double bass, planetary resonance and jam
Exoplanet harmonies at Wilton’s and an in-depth session with bassist Charlie Pyne — an episode about resonance, low end and how the bass quietly runs the show.
Episode 14 — Eliza, a cello made of U-boats and Igbo flow
Eliza on announcing pregnancy live on stage, Verity Simmons on a U-boat-spiked cello, and a Genre Tombola dive into Igbo rap, rhythm and call-and-response.
Episode 13 — Worldwide Washboard Registry, autistic art, rockets and zydeco
Autistic Joy and accessible sound with Maddi Crease, New Orleans washboard and Zydeco with Alex Macdonald, and Robyn Rocket’s inclusive space-trumpet nights at Cafe OTO.
Episode 9 — Naked gigs, choral musings and Filament Choir with Hackney Colliery Band LIVE at Wilton's Music Hall
Naked conch shells at Hacknaky, Filament Choir's massed voices and a live Origin of the Pieces x Hackney Colliery Band takeover of Wilton's Music Hall — an episode about risk, community and shared sound.
Episode 7 — End of year space and slides special, with Chris Hadfield, Rosie Turton and 1201 Alarm
Moon-bound albums with 1201_Alarm, binaural trombone wizardry with Rosie Turton and Chris Hadfield on flutes, space guitars and why music always travels with us.
Episode 5 — Nordic creativity, grand pianos and AI emo
Northern Norway workshops, young players taking charge of their own music, a Fazioli grand piano up close with Birk, and a Genre Tombola deep dive into emo pop with LK Francis and AI-assisted angst.
Episode 4 — Harmonic remembrance, blues shouting and deathgrind taxonomy
Bugles in Abney Park, brass harmonics and Remembrance Sunday, binaural blues shouting with Nicole Cassandra Smit, and a gloriously over-detailed tour through deathgrind with Andrew O’Neill — plus Philip Larkin over blast beats.
Episode 3 — Pubs, flutes, township rhythms and tape delay
A hymn to pub gigs and grassroots venues, binaural baritone sax and flute experiments with Tamar Osborn, and Claude Deppa guiding a joyful, political dive into South African mbaqanga and township rhythms.
Episode 2 — Tiny trumpets, harps, jazz and Robbie Williams
Pocket trumpets by the pool, a close-up tour of orchestral harp sorcery with Valeria Clarke, a no-nonsense jazz 101, and a Genre Tombola detour into pop rock and Robbie Williams with Alexander Bennett.
Episode 1 — Hearing music in new ways
Shells, bone flutes, Darwin mugs, a chaotic shed tour and a rant about what music theory really is — Episode 1 lays out the Origin of the Pieces mission to help you hear music in strange, deeper, more joyful ways.